October 16th, 2010

Mirza Ghalib (1954)

Bharat Bhushan and Suraiya in Mirza Ghalib (1954)

Bharat Bhushan and Suraiya in Mirza Ghalib (1954)

Mirza Ghalib, Sohrab Modi’s eagerly awaited production, was released at a glittering premiere in Bombay on December 10th 1954, at the Minerva, Excelsior and Palace cine­mas.

Inspired by the tragic romance between the great poet Ghalib and Moti Begum, the dancing girl—whom the poet fondly named Chaudavin—J. K. Nanda’s adaptation of Minto’s original story closely follows the pattern of the lives depicted there, the depar­tures from recorded fact being dictated by dramatic considerations and regard for the censors.

Bharat Bhushan plays the title role while Suraiya portrays the feminine lead. They re­ceive excellent support from an all-star cast comprising Nigar Sultana, Ullhas, Durga Khote, Murad, Iftikhar, Mukri and —Baij Sharma, while veteran actor Jagdish Sethi appears as a guest artist.

Directed and produced by Modi on his usual lavish scale, the film magically re-crea­tes the poignant love story of the Poet and the Dancer in the atmosphere of the magni­ficent court of the last of the Moghul em­perors. He has with deftness preserved the atmosphere of the times and those aspects of life which inspired the wistful ghazals of Ghalib.

The film sympathetically depicts the torments suffered by the poet in his love for two women. Torn between his sense of duty to­wards his lovely wife Umrao Begum, and his love for Chaudavin, his troubles and frustra­tions increase and assume the proportions of tragedy.

Sohrab Modi’s direction is unquestionably inspired. Not only has he re-created the world of the Moghuls, but has paid due tri­bute to the poet in a film which is as warm and dignified as the story it tells. Ghalib’s exquisite ghazals and couplets have been admirably incorporated into the narrative and they richly embellish an already masterly production.

Bharat Bhushan is superb as the poet, Ghalib. Enacting his role with quiet restraint and dignity, he presents both the genius of Ghalib the poet, as well as his shortcomings as a man.

Suraiya beautifully brings to life the fascinating Chaudavin, drawing every ounce of sympathy through the character she por­trays. The skill she displays in her rendering of Ghalib’s exquisite ghazals together with the flexibility of her voice enables her to reach the depths of meaning in the poet’s words and draw out their subtlety to the full.

Nigar Sultana as Umrao Begum and Durga Khote as Chaudavin’s mother are both

brilliant in their character roles, while Baij Sharma as Fiddan the opium-eater turns in a noteworthy performance.

Ullhas, the villain of the piece, is con­vincingly evil and lecherous, Iftikhar with regal dignity almost instinctively lives his part of the Emperor, Bahadur Shah, and Mukri contributes a fine cameo of the self-important but kindly money-lender.

Rajinder Singh Bedi’s  expressive dialogue registers much of the elegance of speech characteristic of Moghul times. Ghulam Mohammed’s music and Shakil Badayuni’s lyrics give further evidence of their creative talents.

With delightful grace, Roshan Kumari and Kumkum present the spectacular dances directed by Lachhu Mahraj and Badri Prasad.

Production values of costume, sets and decor constitute spectacular additions to the film which also has excellent photography – Filmfare Review – January 7, 1955

Cast and Production Credits

Year – 1954, Genre – Historical/Romance/Drama, Country – India, Language – Hindi, Producer – Sohrab Modi, Director – Sohrab Modi, Music Director – Ghulam Mohammed, Cast - Bharat Bhushan, Suraiya, Nigar Sultana, Durga Khote, Ulhas, Mukri, Murad, Baij Sharma, Iftikhar, Jilani, Saadat Ali, Ghulam Mohiuddin, Kumkum, Roshan kumari

Historical