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Archive for the ‘Drama’ Category

Sunday, June 13th, 2010 by admin

Rajneeti (2010)

It wouldn’t be wrong to say that Bollywood fans have been craving for good cinema since quite a while and Prakash Jha’s Rajneeti seems to quench their thirst well. There is no doubt that the movie lacks Bollywood masala, glamorous clothes, dances numbers and romance, which Indian cinema thrives on but there’s something in this ...

. . . . . . . . . . . . . . . . . . Action . Drama

Saturday, June 12th, 2010 by admin

Duniya na Mane (1937)

Prabhat Studios has enormous importance in the history of Indian cinema. It was founded in Kohlapur in 1929 by a group who had worked at Baburao Painter’s Maharashtra Film Company and who then moved to Pune in 1933. It was famous for three genres: the devotional or ‘sant’ films about devotees (including Sant Tukaram) who ...

. . . . . . . Drama

Saturday, June 12th, 2010 by admin

Do bigha zamin (1953)

Bimal Roy, one of India’s foremost film-makers, made many great films including Do bigha zamin, which is one of Roy’s best works and is a remarkable film by any standards. It brings together Roy’s neo-realist form of Hindi cinema’s melodrama with his deeply felt political concerns, to form a great study of human values and ...

. . . . . . Drama

Saturday, June 12th, 2010 by admin

Do aankhen baarah haath (1957)

Do aankhen baarah haath won many awards at international film festivals, including the Silver Bear in Berlin, and it remains the only Hindi mainstream film that has been screened at the London Film Festival to date. However, it was only post-1955 and the release of Satyajit Ray’s Pather Panchali (1955) that ‘art cinema’ emerged in ...

. . . . . . Crime . Drama

Saturday, June 12th, 2010 by admin

Disco Dancer (1982)

Disco Dancer is one of those films that I had known about for years before I saw it. People often quoted it as a truly kitsch film and I had heard the songs (by Bappi Lahiri, ‘the R. D. Burman of the B-movies’ according to the Encyclopaedia of Indian Cinema) and seen them as clips ...

. . . . . . Drama . Musical

Tuesday, May 18th, 2010 by admin

Virsa (2010)

The film, Virsa, is a joint venture between Pakistan and India — an apparent attempt for the revival of Pakistani cinema with the idea that it could be brought about through collaborative efforts, consequently resulting in meaningful cinema. The premier held in all its glory at CineStar Cinema was attended by the film’s star cast ...

. . . . . . . . . . . Drama . Drama

Tuesday, May 18th, 2010 by admin

PaathShaala (2010)

Recent times in Bollywood have seen filmmakers producing movies which are based on the concept of the flawed education system which children and teenagers are trying to cope with. Some movies projected this concept realistically, managing to capture the hearts and minds of many people, and hopefully teaching some much needed lessons along the way. ...

. . . . . . . . . . . . . . . . . . . Drama

Tuesday, May 4th, 2010 by admin

Umrao Jaan (1981)

This film is based on the Urdu novel Umrao Jaan Ada by Mirza Mohammad Hadi ‘Ruswa’, published in 1899, which presents the story of Umrao Jaan, a courtesan of Lucknow and Kanpur, as supposedly true. It is set at the last moment of Lucknow’s glory: the 1857 uprisings occur in the novel when Umrao Jaan ...

. . . . . . . . . . . . . . . Drama

Tuesday, May 4th, 2010 by admin

Pakeezah (1971)

While courtesans feature in many films, mostly in minor roles, the two great films in which they are the main heroines are set in the nineteenth- century Avadhi court of Lucknow (Umrao Jaan), and in Delhi and the Punjabi princely state of Patiala in the early years of the twentieth century (Pakeezah), as these were ...

. . . . . . . . . . . . . Drama

Tuesday, May 4th, 2010 by admin

Masoom (1982)

This story of an illegitimate child is a real weepie, which picks up the theme of forgiveness that runs through so many Hindi movies. It is said to be based on Man, Woman and Child (1982), a film adapted from the book of the same name by Erich Segal of Love Story fame, although, in ...

. . . . . . . . Drama

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