Style – Nirupa Roy
As an artiste, Nirupa Roy hasmade a successful–transition from mythologicals to socials. Films in both categories (“Har Har Mahadev” and “Do Bigha. Zamin” are representative ones) reveal that she is equally at home in goddess roles and depictions of human ones. But there is some danger of this accomplished actress becoming “typed” and forever being seen as a peasant’s wife, the postman’s daughter or a wife of the poorer classes making all kinds of sacrifices for husband, children and home. Her assignments in “Taksaal,” “Tangawali” and other productions show which way her film work is taking her. Nirupa, however, should be able to take care of that. Good humored, co-operative and a sincere artiste who tackles her work with the same zest she brings to the enjoyment of her moments of leisure, Nirupa is popular with all. Her remarkable success on the screen proves that convincingly – February 1956

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